Adapted effortlessly to the Rhodes/synth phase-transition in jazz. Enormous harmonic vocabulary, populist melodism, and an experimental streak best expressed within his Mwandishi collective, one of the essential 70s bands. Only Miles caught deeper groove without sacrificing rich jazz language (and even then…). Their Sextant and Crossings establish terms of ecstatic prototechno beat science. Headhunters would retreat from their deadliest implications and so achieve enormous commercial success. Modern groups like MMW cross those streams without quite equalling Mwandishi’s purity of spiritual intent or Headhunters’ erotic-machinic pinpoint funk. His cameo in Another Kind of Blue is heartbreaking and beautifully true.