On Phish books.

by waxbanks

The Phish bookshelf is nowhere near as bloated as, say, your Grateful Dead library, but there’s now a healthy number of books on the band, including my two. I can’t be ‘impartial’ on this subject; I wrote my Phish books because I wasn’t satisfied with the existing ones. Still, I’ve treasured several of these volumes. Maybe you know another Phish fan who’d do so as well.

Dean Budnick, The Phishing Manual

An early appreciation of the band written right at the moment when they broke through to national visibility, released in 1996. Useful for its Skeleton Key-style fan glossary, thumbnail history of the band’s early days in Vermont, and section on the Phish’s contemporaries back in the 80s. A song-by-song look at the band’s catalogue was meant primarily as an aid to tape collectors.

The Pharmer’s Almanac

An early resource for touring fans and tape collectors, akin to DeadBase, with a complete setlist file and some show/venue reviews. I read the hell out of mine, back in the day. Out of print, and at any rate superseded by…

The Phish Companion

The Mockingbird Foundation’s paper companion to the phish.net site, full of song histories, show reviews, short essays, and — the book’s real focus — a massive trove of charts, statistics, and canonical setlist data. This was the essential hardcore fan resource in the early 2000s, though cheap ubiquitous Internet connectivity has diminished its utility. Still an excellent gift for the collector in your family.

Mr Miner’s Phish Thoughts (Dave Calarco)

Thick as a brick, beautifully illustrated. Essentially an omnibus collection of edited phishthoughts.com blog posts with a focus on the band’s 2009 renaissance, split (like the site) between breathlessly hyperbolic morning-after show reviews and much more readable tour-by-tour historical overviews — the latter reflecting the intensity of Calarco’s 20+ year fandom.

The Phish Book (Phish & Richard Gehr)

The best Phish book not written by me — a coffeetable collection of band interviews skillfully and puckishly woven into a virtual roundtable discussion. The band comes off as generous, authentic, and productively self-conscious. The book’s greatest virtue might be timing: its focus is on the band’s annus mirabilis of 1997, though the interviews go deep on subjects from Garcia and Zappa to fame, funk, and the festival business. Essential.

Phish: The Biography (Parke Puterbaugh)

Just what it looks like: an authorized band biography, long on behind-the-music stuff, largely superseding the Phishing Manual. Puterbaugh’s backstage access is the attraction: every fan will pick up new facts about the band here.

This Has All Been Wonderful (David ‘zzyzx’ Steinberg)

An idiosyncratic fan diary of Phish’s Summer 1994 tour. No wild’n’crazy drug stories here, just one math grad student’s easygoing narrative of following a good strange band around while carrying, for reasons only zzyzx himself can explain, a clipboard.

A tiny space to move and breathe (yours truly)

A self-published collection of essays, each orbiting eccentrically around one show from the band’s Fall 1997 tour, with occasional prose-poetic interregna and a listicle about girls. Highly variable in focus, looks hard at the music itself for a moment, then tangents away about China Mieville, or DJ Shadow, or playing the Hampton 97 Tweezer for my sleepy toddler. Emphatically not a tour diary, it was the first book on Phish with what might be called ‘literary aspirations.’

Phish’s A LIVE ONE (me again, for the 33-1/3 series)

140ish just-published pages on the band’s double-LP platinum album. As much a belletristic oddity as my other book; much more tightly written, though, and aimed at a general (noninitiate) audience. The most detailed look so far at the band’s musical dynamics, as well as an extended meditation on ‘improvisatory consciousness’ and the experience of immersion in Phish’s musiculture.

(the others)

Phish books I don’t know: Nathan Rabin’s You Don’t Know Me But You Hate Me, a well received look at the author’s experiences in two oddball fan cultures (Phish’s and Insane Clown Posse’s); Run Like an Antelope by Sean Gibbons, a tour diary which no one seems to like; and a reviled band bio called Go Phish.

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